APOLOGY: NO IMAGES AVAILABLE FOR KATHARINA VON SCHLEGEL (1697-?), JANE L. BORTHWICK (1813-1897) & JEAN SIBELIUS (1865-1957).
© Copyright 2013 PJ Stassen
© Copyright 2013 PJ Stassen
All Rights Reserved
A pessimist is one who has
been intimately acquainted with an optimist.
-
Elbert Hubbard,
1856-1915.
My father-in-law’s funeral service (on the 9th)
was the standard, traditional Christian ceremony, for he had been serving God
in an official capacity as well as privately for many years … it was a
beautiful, dignified burial service. My own father’s memorial service (on the 11th) was quite
different; it was a graceful, upbeat type of memorial service, with few tears
and lots of quiet and somewhat restrained, rejoicing. The reason for this change in ‘funeral
ambience’ was the fact that my father had made his final, personal peace with
God (at the age of eighty-six) only as late as 1 October 2010, an unusual thing
for a man of his years to do.
We have calculated that he had been economically
active for as long as at least seventy years, i.e. for longer than his eldest
son is old. He started off in life in
1940 at the age of sixteen as a steward in the (passenger-rail) dining-saloon of
the South African Railways, and only retired as a professional courier on the
road at the end of 2010 when his health had finally started to fail him.
One highlight during his youth on the
railways is the fact that he had personally helped serve dinner to the renowned
Noel Coward, the famed British playwright, on the train during WWII. Coward was in South Africa at the time doing
some clandestine undercover-work for the British Secret Service under the ruse of
a South African holiday in the tropics.
Bear in mind that South Africa then was still part of the British Commonwealth
and had entered the war on the side of the Allies, so, officially, was thus also at
war with the belligerent axis-powers of Germany, Italy and Japan. In those days it apparently was not uncommon
for artists and actors to be drawn into the world of international espionage …
Cary Grant, Merle Oberon and a host of other celebrities reportedly used to spy
on behalf of the Allies during the war years.
Incidentally, my father’s low-profile,
modest and humble conversion (and final decision to put his hand
unconditionally in the Mighty Hand of God) came to me in the form of a
telephone call on Saturday morning of 1 October 2013. The call came, amazingly, while Andre Rieu’s Amazing Grace (what a ‘coincidence’) was
playing on TV. I even went and pressed
my cell-phone to the TV to enable him to listen to the song until it had
finished.
It must have demanded tremendous courage for him to phone me to share such a momentous decision with me, for in his heyday he used to be quite a proud, no-nonsense, unrepentant, businessman-type of an individual. However, he went to his eternal home in his sleep, peacefully and in the comfort of my sister's home, surrounded by his wife and most of the children. As they say, the bend in the road does not necessarily always mean the end of the road. In Ethics Of The Dust, John Ruskin writes:
It must have demanded tremendous courage for him to phone me to share such a momentous decision with me, for in his heyday he used to be quite a proud, no-nonsense, unrepentant, businessman-type of an individual. However, he went to his eternal home in his sleep, peacefully and in the comfort of my sister's home, surrounded by his wife and most of the children. As they say, the bend in the road does not necessarily always mean the end of the road. In Ethics Of The Dust, John Ruskin writes:
“There
is no music in a rest, but there is the making of music in it.
“In
our whole life-melody, the music is broken off here and there by ‘rests’ and we
foolishly think we have come to the end of the tune. God sends a time of forced
leisure, sickness, disappointed plans, frustrated efforts that makes a sudden
pause in the choral hymn of our lives, and we lament that our voice must be
silent and our part be missing in the music which ever goes up to the ear of
the Creator.
“How
does the musician read the rest?
“See
him beat the time with unvarying count and catch up the next note true and
steady as if no breaking place had come in between.
“Not
without design does God write the music of our lives. But be it ours to learn the time and not be
dismayed at the ‘rests’. They are not to
be slurred over, not to be omitted, nor to destroy the melody, nor to change
the keynote.
“If
we look up, God, Himself will beat the time for us. With eye on Him, we shall strike the next
note full and clear.” (Shea
& Bauer: 51-52).
(Katharina Von Schlegel, 1697-? [Trans. Jane L. Borthwick,
1813-1897] /Jean Sibelius, 1865-1957:
Based on a Finnish national song)
Based on a Finnish national song)
Be still, my soul – the
Lord is on Thy side!
Bear patiently the cross of grief and pain;
Leave to thy God to order and provide –
In every change He
faithful will remain.
Be still, my soul – Thy
best, thy Heavenly Friend
Thru thorny ways leads to
a joyful end.
Be still, my soul – Thy
God doth undertake
To guide the future as He
has the past;
Thy hope, thy confidence
let nothing shake –
All now mysterious shall
be bright at last.
Be still, my soul – the
waves the wind still know
His voice who ruled them
while He dwelt below.
Be still, my soul – the
hour is hast’ning on
When we shall be forever
with the Lord,
When disappointment,
grief and fear are gone,
Sorrow forgot, love’s
purest joys restored.
Be still, my soul when
change and tears are past,
All safe and blessed we
shall meet at last.
Piet
Stassen
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Bibliography
1. Andrews,
Allen (1969) Quotations For Speakers And
Writers. Newnes Books. London.
2. CyberHymnal. 'Eric Liddell'. Accessed At <http://cyberhymnal.org/htm/b/e/bestill.htm> [online] 2013.
3. Peterson, John V. et al (1968) Great Hymns Of The Faith. ‘Be Still, My Soul’. Zondervan Publishing House. Grand Rapids, Michigan.
3. Peterson, John V. et al (1968) Great Hymns Of The Faith. ‘Be Still, My Soul’. Zondervan Publishing House. Grand Rapids, Michigan.
4. Ruskin,
John. Ethics Of The Dust as quoted in
Shea, George Beverly & Bauer, Fred (1972) Songs That Lift The Heart. Lakeland. Great Britain, pp. 51-52.
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